vendredi 20 décembre 2013

OLIVIER BRIAND: Light Memories (2013)

“There are a lot of winks to Vangelis behind Light Memories of whic the sonic evolution creates a lot of melodies which bind themselves in imaginative rhythms”

Light Memories Part I –XV 72:59
PWM Distribution (CD-r 72:59) ***½
(Experimental and melodic Vangelis style EM)

The influence of Vangelis on Olivier Briand's musical development and experimental orientations is at the heart of his evolution and of his open mind on the art of the EM. Conceived in the interstices of the epic tones of Yamaha CS80, “Light Memories” wants to be an interlude in the career of the Nantes synthesist where he pays a sound tribute to Vangelis. Flanked of the Fender Rhodes Mark II piano, Olivier Briand develops 15 tracks which are inspired by oriental melodies from which the aromas flee the musical panoramas of Blade Runner and beyond.
"Light Memories Part I" begins the opening of “Light Memories” with an ambiospherical approach. Scattered notes, sounding like a mixture of an acoustic guitar and a Japanese koto, ring in industrial mists which remind the black universe of
Blade Runner. At first evasive, the part gives birth to a beautiful melodious approach which flows like stars whistling in a black sky. Each of the 15 parts of “Light Memories” is knotted by a delicate sonic thread which makes the link between the various styles of this commemorative symphony in respect of the Yamaha CS80 such as toyed by the Greek self-taught musician. "Light Memories Part II" follows the lunar sweetnesses of "Part I" before stirring of some symphonic jolts which recall the period of China. "Part III" follows with pulsating keys which jump up with their resonances under prismic clouds soaked with cosmic chirping. The rhythm is slow and pulses stubbornly in the benches of nasal lines, while another line of synth vocalizes an electronic dialect. The rhythm gets loose from its morphic influence with other sequences which sparkle and skip freely, braiding a figure of static rhythm which swirls in a more electronic structure where sings this synth and its fascinating robotics vocalizes. Then comes the very beautiful "Part IV" and its Fender Rhodes piano which makes sing its forsaken notes in the mists of melancholy. It's a beautiful light track which floats in our brain with a lot of melancholy. "Part V" moves on with a cosmic electronic march where are pulsing some enormous organic suckers of which the noise of suctions spreads its magic towards the tones of silky elytrons. The synth embroiders a litany of cosmic serenity which sounds out of tune in this static rhythm closer to the din and of sonic explorations. "Part VI" is a very beautiful melody where the sequences flicker in circles and the synth sings freedom. "Light Memories Part VII" loops the loop of the first half of “Light Memories” with a very beautiful electronic serenade filled by an absolute tenderness. Adopting a little the approach of the slow pulsing rhythm of Chariots of Fire, "Part VIII" eventually embraces a beat of lounge with synth solos which borrow the smells of nasal trumpets. The Rhodes spreads syllables with a fine harmonious prose deserving of improvisations that we can hear on evenings of free-jazz. Very light, "Part IX" shows its celestial singings of which the breaths of Pan bind themselves into the cosmic dusts of the very tearful "Part X"."Part XI" finds its inspiration in the Asian prose of "Part II" but with a more steady rhythm. "Part XII" is another beautiful lunar serenade which whistles on the edge of solitude. Delicate and very beautiful, its melancholy plunges into the surprising down-tempo, which sounds strangely like a soft jazz, which is "Part XIII" and of its surprising line of bass. There is almost an Arabian perfume on this track. We move forward towards the finale and to do it, Olivier Briand offers us his jewel in "Light Memories Part XIV" whose magnificent ballad gets lost in the souvenirs of Direct, a more contemporary album from Vangelis. This is very good and we never heard it coming. "Light Memories Part XV" encloses this sonic fantasia with an immersion of oddities and analog/digital heterogeneous noises which remind all the work of accuracy which surrounded those great electronic works.
Light Memories” is a more personal album to
Olivier Briand who indulges himself by working with the instruments of one of his main sources of inspiration. There are a lot of winks to the works of Vangelis behind this fascinating electronic dawn serenade where the noises and the strange atmospheres assemble to create a multitude of melodies which bind themselves in imaginative rhythms. And even in the sound experimentation, Olivier Briand always manages to embroider melodies which make the ears smile. Mainly for the fans of Vangelis, “Light Memories” remains a fascinating album for those who want to understand the progressions of electronic structures.

Sylvain Lupari (December 19th, 2013)
gutsofdarkness.com & synthsequences.blogspot.ca
Cette chronique est également disponible en Français sur le site de Guts of Darkness, dont je suis chroniqueur sous le nom de Phaedream: http://www.gutsofdarkness.com/god/objet.php?objet=16581

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