The album opens with Cry Little Sister, a 1987 strong hit pulled out The Lost Boys’ soundtrack. It’s a good rock doubled of a nice ballad and the Dream approaches it such as, a bit as a copy and paste with good riffs but quite fade percussions. If guitars and sequences are good, the rhythmic portion is cold and without big depth and this is Under Cover - Chapter One big weakness; if sequences, keyboards and guitars are aptly returned, the voices and rhythmic structure are weak and very far from improving (isn’t the idea behind every interpretation from a track written by someone else?) the original version. I like Everybody Hurts’ version. The piano, synth strings and Chris Hausl’s vocals give a more intimate version than the original. I don’t know Precious from Depeche Mode, but I vaguely have the impression that this interpretation misses punch because it’s sounds strangely as Cry Little Sister's version and Forever Young. I salivated at the idea of hearing what the Dream would make with Space Oddity and I got a bitter disappointment, in spite of dazzling guitar solos. I don’t understand why the gang of Froese wants so much to give a rock and techno-pop approach to this avant-gardist track. I expected more and with good reason, considering the enormous potential of the musicians present there. Idem for Hotel California which, except for guitar solos, is a version that misses imagination and feelings, quite as Iris which is a very beautiful song returned here with an anemic performance. Yes the guitar is beautiful but the emotion is not really just in time.
Sylvain Lupari (2011)
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